To do so, I will first showcase the decisions and story beats that comprise the space battle over Endor. This article will focus primarily on the narrative structure of a good space battle and how, when used properly, they can be an integral and memorable part of a film. Regardless of these battles’ narrative elements, ILM’s work is perfect and without peer. Those wizards created fantastic physical and digital models for these space battles and the techniques to film or compose a shot. Our gold standard.īefore I dive in, I’d be remiss if I didn’t give a quick shout out to the brilliant minds at Industrial Light & Magic, both past and present. It is the fleet battle against which all fleet battles in sci-fi are measured against. That film, released 37 years ago (nearly one month after the birth of a future online admiral with a penchant for fish people), undoubtedly laid out the structure for how good space battles are designed, shot, and utilized narratively. I don’t use the word perfect a lot, but I do for the space battle over Endor in Return of the Jedi.
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